|
Eva
Gil
| THEATRE |
| REGIONAL |
| A Christmas Carol |
Petunia Fezziwig/Sophia |
Actors Theatre of Louisville |
Neon Mirage *world
premiere |
Sherri, et al |
Humana Festival, ATL |
| ACTORS THEATRE APPRENTICE
COMPANY |
|
|
Poema Final
The Madwoman of Chaillot |
Solo Piece
Juggler/Peddler |
Dir. Zan Sawyer-Dailey
John Giampetro |
| Albino Coyote |
Myself |
Created w/ Greg Allen |
| Tiny Baby *world
premiere |
Susan |
Dir. Jake Witlen |
| NATIONAL TOUR |
|
|
The Barber of Seville
(Bilingual Spanish) |
Rosina |
National Theatre |
| CHICAGO |
|
|
| A View from the Bridge |
Catherine |
Actors Workshop Theatre |
| Perfect *world premiere |
Sandra |
the side project |
| Blood |
Sally |
Act One Studios |
| Positive Self-Talk |
Woman |
Act One Studios |
| Work |
The Temp |
Act One Studios |
| NEW YORK |
|
|
| The House of Yes |
Lesly |
Strange Sister Theatre |
| 15 Minute Glass Menagerie |
Laura |
NY Fringe Festival |
| 15 Minute Our Town |
Emily/Rebecca |
NY Fringe Festival |
| Words, Words, Words |
Swift |
Strange Sister Theatre |
| The Philadelphia |
Waitress |
Strange Sister Theatre |
| COLLEGE |
|
|
| The Children's Hour |
Karen |
Russell Sage College |
| Les Liaisons Dangereuses |
Cecile |
Russell Sage College |
| A Midsummer Night's
Dream |
Titania |
Russell Sage College |
| |
| FILM AND TELEVISION |
| The Education of Max Bickford |
College Student |
CBS Television |
| Writer's Block |
Lead |
Film Fanatic Singapore |
| Dallas Orbiter (Music Video) |
Lead |
Miksic Productions |
| Days (Feature) |
Lead |
By Candlelight Prod. |
| Looking and Staring |
Lead |
NYU Multi-camera |
| Period 3 |
Lead |
NYU Graduate School |
| Downstage |
Lead |
NYU Undergraduate |
| Two Guys & a Girl |
Lead |
NYU Multi-camera |
|
| TRAINING |
Russell Sage College, BA
in Theatre, Summa Cum Laude
Acting: John Romeo, Ed. Lange, NYS Theatre Institute
Creative Dramatics/Improv: Sara Melita, NYS Theatre
Institute
New York
Scene Study: John Gould Rubin, LAByrinth Theatre
Company
Actors Theatre of Louisville Apprentice
Company
Text Analysis: Wendy McClellan
Neo-Futurism Workshop: Greg Allen, Neo-Futurists
Scene Study: Marc Masterson
Linklater: Timothy Douglas
Suzuki/Viewpoints: Stephen Webber, SITI
Co.
Solo Performance: Antonio Sacre
Shakespeare Workshop: Aaron Posner
Audition: Zan Sawyer-Dailey, Emily Ruddock
SPECIAL SKILLS |
| Conversational Spanish,
patient cases, crocheting, poetry translator, professional
gardener, hula hooping (neck, arm, hips, hands),
driving |
| Dialects: Spanish,
American South, Long Island, British, Cockney |
Clips of film work:
These clips require the Quicktime plugin. Click the Quicktime icon to download the plugin.
View the Howling Madness clip.
View the Period 3 clip.
View the Writer's Block clip.
View the Dallas Orbiter "Big Ups" clip.
Reviews, Feedback and Praise:
A View from the Bridge Reviews:
"Eva Gil brings naive charm and
unexpected spine to Catherine."
Review By Kerry Reid | Special to the Tribune, October
17, 2007
"Catherine (Eva Gil), a young
woman who is sure to break a lot of hearts. Eva Gil
knows just when to sniffle and shed a tear as the young
woman, old enough to make up her own mind, but not wanting
to hurt the people she cares about." Review
from From Ruth Smerling---TheatreWorld--
"Her creativity is boundless and her work as an
actor is truthful and unadorned." --John Romeo,
NYSTI, Resident Actor
"...one of the standouts among the strong ensemble."
--Martin Denton, nytheatre.com
"Her commitment to the physical life of her character
was refreshing, as she was always willing to try something
new." --Megan Wills, Director
"...she was compelling and evocative in The
Children's Hour." --Ed.Lange, Associate Artistic
Director, NYSTI
"It was a pleasure to work with an actress as
dedicated, committed, and talented as Eva is. She is
a valuable asset to any production." Steven Bloom,
Director
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