|
Eva
Gil
EMC
| THEATRE |
| REGIONAL |
| A Christmas Carol |
Petunia Fezziwig/Sophia |
Actors Theatre of Louisville |
Neon Mirage *world
premiere |
Sherri, et al |
Humana Festival, ATL |
| ACTORS THEATRE APPRENTICE
COMPANY |
|
|
Poema Final
The Madwoman of Chaillot |
Solo Piece
Juggler/Peddler |
Dir. Zan Sawyer-Dailey
John Giampetro |
| Albino Coyote |
Myself |
Created w/ Greg Allen |
| Tiny Baby *world
premiere |
Susan |
Dir. Jake Witlen |
| NATIONAL TOUR |
|
|
The Barber of Seville
(Bilingual Spanish) |
Rosina |
National Theatre |
| CHICAGO
|
|
|
|
The Typographer's Dream
|
Annaliese |
5th Floor Productions
|
| Tallgrass Gothic
Perfect *world premiere
|
Laura
Sandra |
5th Floor Productions
the side project
|
|
Stonehenge
|
Angel |
Collaboraction
|
Positive Self-Talk
Blood
Work
|
Woman
Sally
The Temp |
Act One Studios
Act One Studios
Act One Studios |
A View from the
Bridge
bring May flowers |
Catherine
Flower Bud |
Redtwist (formerly AWT)
House Theatre/Tense Forms
|
| NEW YORK |
|
|
| The House of Yes |
Lesly |
Strange Sister Theatre |
| 15 Minute Glass Menagerie |
Laura |
NY Fringe Festival |
| 15 Minute Our Town |
Emily/Rebecca |
NY Fringe Festival |
| Words, Words, Words |
Swift |
Strange Sister Theatre |
| The Philadelphia |
Waitress |
Strange Sister Theatre |
| COLLEGE |
|
|
| The Children's Hour |
Karen |
Russell Sage College |
| Les Liaisons Dangereuses |
Cecile |
Russell Sage College |
| A Midsummer Night's
Dream |
Titania |
Russell Sage College |
| |
| FILM AND TELEVISION |
| The Education of Max Bickford |
College Student |
CBS Television |
| Writer's Block |
Lead |
Film Fanatic Singapore |
| Dallas Orbiter (Music Video) |
Lead |
Miksic Productions |
| Days (Feature) |
Lead |
By Candlelight Prod. |
| Looking and Staring |
Lead |
NYU Multi-camera |
| Period 3 |
Lead |
NYU Graduate School |
| Downstage |
Lead |
NYU Undergraduate |
Two Guys & a Girl
Sunstar Industrial |
Lead
Receptionist |
NYU Multi-camera
Dir. Mike O'Rourke |
|
| TRAINING |
Russell Sage College, BA
in Theatre, Summa Cum Laude
Acting: John Romeo, Ed. Lange, NYS Theatre
Institute
Creative Dramatics/Improv: Sara Melita,
NYS Theatre Institute
Chicago
Modern/Classical Scene Study: James
Bohnen, Remy Bumppo Theatre Co.
Shakepeare Monlogue/First Folio Technique:
Susan Hart
New York
Scene Study: John Gould Rubin, LAByrinth
Theatre Company
Actors Theatre of Louisville Apprentice
Company
Text Analysis: Wendy McClellan
Neo-Futurism Workshop: Greg Allen, Neo-Futurists
Scene Study: Marc Masterson
Linklater: Timothy Douglas
Suzuki/Viewpoints: Stephen Webber, SITI
Co.
Solo Performance: Antonio Sacre
Shakespeare Workshop: Aaron Posner
Audition: Zan Sawyer-Dailey, Emily Ruddock
SPECIAL SKILLS
|
| Conversational Spanish,
patient cases, crocheting, poetry translator, professional
gardener, hula hooping (neck, arm, hips, hands),
driving |
| Dialects: Spanish,
American South, Long Island, British, Cockney |
Clips of film work:
These clips require the Quicktime plugin. Click the Quicktime icon to download the plugin.
View the Howling Madness clip.
View the Period 3 clip.
View the Writer's Block clip.
View the Dallas Orbiter "Big Ups" clip.
Comments on work from Reviews and Colleagues:
Reviews of A View from the Bridge
at Redwist (formerly Actors Workshop Theatre):
"Eva Gil brings naive charm and
unexpected spine to Catherine."
Reviewed by Kerry Reid, The Chicago Tribune
"Catherine (Eva Gil), a young
woman who is sure to break a lot of hearts. Eva Gil
knows just when to sniffle and shed a tear as the young
woman, old enough to make up her own mind, but not wanting
to hurt the people she cares about." Reviewed
by Ruth Smerling, TheatreWorld
Reviews of Perfect at the side project
"Thomas Whittington and Eva Gil provide top-notch,
honest portrayals of Natalie's high school friends,
both of whom become unwittingly entangled in her dilemma.
The play is haunting and disturbing..." Reviewed
by Colin Douglas, Centerstage
“Eva Gil as Natalie’s socially desperate
classmate, emerges as a real kid blundering her way
through a teenage wasteland. You almost wish there was
a play just about her.”
Reviewed by Nina Mertz, The Chicago Tribune
“There are likeable performances from Thomas
Whittington as the high school hunk Trevor and Eva Gil
as Natalie’s best friend Sandra that nicely express
the confusions of teenage hormones.”
Reviewed by Joe Stead, steadstylechicago.com
Reviews from Tallgrass Gothic produced
by 5th Floor
"Under the direction of Jimmy McDermott, the dramatic
progress displays the formality of classical pre-Renaissance
art, while also invoking the suppressed emotions reflective
of the 19th-century literary movement also designated
"gothic", its measured pace generating a tension
so palpable that the snap of a pop-top, or the crunch
of a discarded beer can crushed beneath a merciless
foot, conveys all the menace of an ammunition round
chambered in a rifle. The mostly young actors likewise
never succumb to twitchy self-consciousness, but retain
a concentrated focus their every onstage moment...superlative
ensemble work..."
Reviewed by Mary Shen Barnidge, Windy City Times
"...the production provides a potent emotional
punch. We'll be watching for this group...the feeling
of simultaneous claustrophobia and wide-open emptiness
is beautifully evoked both by the simple set (a dirt-platform
"cornfield" and a metal bed) and the way the
actors inhabit it."
Reviewd by Ruth Welte, TimeOut Chicago
Colleagues:
"Her creativity is boundless and her work as an
actor is truthful and unadorned." --John Romeo,
NYSTI, Resident Actor
"Her commitment to the physical life of her character
was refreshing, as she was always willing to try something
new." --Megan Wills, Director
"...she was compelling and evocative in The
Children's Hour." --Ed.Lange, Associate Artistic
Director, NYSTI
"It was a pleasure to work with an actress as
dedicated, committed, and talented as Eva is. She is
a valuable asset to any production." Steven Bloom,
Director
|
